Sol LeWitt</a> (1928-2007) was one of America’s leading conceptual artists. Believing that the idea of art is more important than its physical presence, <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Sol-LeWitt/5D1F862F0381BF32">LeWitt created works that had their genesis in a set of simple instructions that can be executed by anyone. These directions create logical and repetitive systems of lines, arcs, and grids, which de-emphasize the subjective decisions of the person fabricating the work of art. LeWitt’s wall drawings are the best known examples of his works created according to this conceptual system. In 2000, a member of the class of 1947 gave the anonymous gift of Sol LeWitt’s Wall Drawing #139 (Grid and arcs from the midpoints of four sides) (1972). This important early wall drawing, which is executed in black pencil, will be installed at SCMA for the first time in January 2008. A trained assistant from LeWitt’s New York studio will supervise three Smith students in the execution of the drawing on the wall of the Ketcham Gallery on the Museum’s third floor. To provide a context for LeWitt’s overall body of work, the installation will also contain a rotating selection of works in other media by the artist, including sculpture, drawings, and prints.Image: Sol LeWitt. American, 1928-2007. Brushstrokes in All Directions, 1994. Silkscreen on Folio white paper. Gift of Karen Cooper, class of 1970, and Film Forum, New York City. ©Estate of Sol LeWitt/Artists Rights Society (ARS), New York. Photograph by Petegorsky/Gipe" />

Sol LeWitt: Wall Drawing

Feb 01, 2008 - Jan 04, 2009
Sol LeWitt (1928-2007) was one of America’s leading conceptual artists. Believing that the idea of art is more important than its physical presence, LeWitt created works that had their genesis in a set of simple instructions that can be executed by anyone. These directions create logical and repetitive systems of lines, arcs, and grids, which de-emphasize the subjective decisions of the person fabricating the work of art. LeWitt’s wall drawings are the best known examples of his works created according to this conceptual system. In 2000, a member of the class of 1947 gave the anonymous gift of Sol LeWitt’s Wall Drawing #139 (Grid and arcs from the midpoints of four sides) (1972). This important early wall drawing, which is executed in black pencil, will be installed at SCMA for the first time in January 2008. A trained assistant from LeWitt’s New York studio will supervise three Smith students in the execution of the drawing on the wall of the Ketcham Gallery on the Museum’s third floor. To provide a context for LeWitt’s overall body of work, the installation will also contain a rotating selection of works in other media by the artist, including sculpture, drawings, and prints.Image: Sol LeWitt. American, 1928-2007. Brushstrokes in All Directions, 1994. Silkscreen on Folio white paper. Gift of Karen Cooper, class of 1970, and Film Forum, New York City. ©Estate of Sol LeWitt/Artists Rights Society (ARS), New York. Photograph by Petegorsky/Gipe
Sol LeWitt (1928-2007) was one of America’s leading conceptual artists. Believing that the idea of art is more important than its physical presence, LeWitt created works that had their genesis in a set of simple instructions that can be executed by anyone. These directions create logical and repetitive systems of lines, arcs, and grids, which de-emphasize the subjective decisions of the person fabricating the work of art. LeWitt’s wall drawings are the best known examples of his works created according to this conceptual system. In 2000, a member of the class of 1947 gave the anonymous gift of Sol LeWitt’s Wall Drawing #139 (Grid and arcs from the midpoints of four sides) (1972). This important early wall drawing, which is executed in black pencil, will be installed at SCMA for the first time in January 2008. A trained assistant from LeWitt’s New York studio will supervise three Smith students in the execution of the drawing on the wall of the Ketcham Gallery on the Museum’s third floor. To provide a context for LeWitt’s overall body of work, the installation will also contain a rotating selection of works in other media by the artist, including sculpture, drawings, and prints.Image: Sol LeWitt. American, 1928-2007. Brushstrokes in All Directions, 1994. Silkscreen on Folio white paper. Gift of Karen Cooper, class of 1970, and Film Forum, New York City. ©Estate of Sol LeWitt/Artists Rights Society (ARS), New York. Photograph by Petegorsky/Gipe

Artists on show

Contact details

Northampton, MA, USA 01063

What's on nearby

Alberto Giacometti</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/John-Singer-Sargent/42B6194D4B522925">John Singer Sargent</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Kathe-Kollwitz/95D5AC56BD84F80F">Käthe Kollwitz</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Edgar-Degas/5BD9AC31E0BA6CC7">Edgar Degas</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Vincent-van-Gogh/7B9431E0214A25BE">Vincent van Gogh</a>, and <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Diego-Rivera/E306D5AF02D57264">Diego Rivera</a>. It also includes contemporary pieces by <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Honore-Desmond-Sharrer/423E6DD05402A3E7">Honoré Sharrer</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Alex-Callender/E646E83B8D364D77">Alex Callender</a>, and <a target="_blank" href=https://www.mutualart.com/Exhibition/Sol-LeWitt--Wall-Drawing/"/Artist/Michael-Mazur/C472544865A8AE53">Michael Mazur</a>, showcasing their ability to inspire and reveal the complexities of the creative journey.</p><p><br></p>" />
Younes Rahmoun</a>: Here, Now&nbsp; is the first survey for multidisciplinary artist Younes Rahmoun. Born in 1975 in Tetouan, Morocco, where he continues to live and work, Rahmoun is a leading figure in contemporary art internationally as well as a dedicated mentor and teacher to subsequent generations of artists in Morocco.&nbsp;</p><p>The exhibition explores how Rahmoun’s artistic practice has, since the 1990s, created space for viewers to be in community, together in the here and now, through a focus on formal rigor, iterative processes, and social engagements. Foremost among the exhibition’s themes are nature, place, and landscape; spirituality; migration as a consequence of de/colonization; and art as a premise for coming together. The exhibition invests in multiple locations across Smith: SCMA’s galleries and atrium façade, the Botanic Garden of Smith College, the banks of Paradise Pond, and the MacLeish Field Station in Whately, MA. New site-specific commissions will be exhibited at these locations alongside a selection of major sculptures, drawings, videos, and installations that Rahmoun has made over the past twenty-five years.</p><p>Inspired by the artist’s commitment to working collaboratively and creating connections across multiple locations, two partner exhibitions—at La Kunsthalle Mulhouse and Kulte: Center for Contemporary Art &amp; Editions—will open in Mulhouse, France, and Rabat, Morocco, respectively, in 2024.</p><p><br></p>" />
Map View
Sign in to MutualArt.com