For the first time, jewelry created by the great American sculptor
Alexander Calder is the subject of a comprehensive exhibition entitled Calder Jewelry.
Calder Jewelry brings together approximately 90 works by the famed modernist – including necklaces, bracelets, brooches, earrings and tiaras – that demonstrate the artist's love of abstraction and his unique mastery of this wearable art form. The works in the exhibition were all worn by family and close friends of the artist, as well as by some of the most celebrated figures in 20th-century cultural history.
"Alexander Calder is today best known for his powerful, monumental sculptures. The works in this show are miniature mobiles and stabiles, related to and no less beautiful than the work that is so familiar to us from its siting in civic plazas. They are, at the same, unquestionably intimate and intensely personal expressions. In the end, Calder's jewelry pieces are exquisite demonstrations of this major artist's contributions to the history of art, which should not be missed," said Derrick R. Cartwright, SDMA's executive director.
Calder (1898–1976) was born into a family of well-known artists and made his first wire sculpture in 1925. In 1930, he began to experiment boldly with abstraction and in 1931, occasionally added moving parts to his works. He later coined the term "mobiles" to describe these unprecedented sculptures. Major examples of Calder's sculpture can be seen throughout the world, including at the National Gallery of Art, Philadelphia Museum of Art, as well as at SDMA. Calder's large work, entitled Spinal Column (1968), will be resituated at the front of SDMA, following extensive conservation treatment, in conjunction with the opening of Calder Jewelry.
Conceiving of his objects as "wearable mobiles," Calder individually hammered, chiseled, shaped, and composed more than 1,800 pieces of jewelry, each in a fashion that precisely echoed the linear yet three-dimensional aspect found in his sculpture. He made his works of jewelry by combining non-precious material and found objects with brass, silver, and gold.
The exhibition at SDMA includes jewelry made from a recipient's monogram and jewelry created by shaping an individual's name into a decorative pattern. Among those presented with such pieces were Louisa James Calder, the artist's wife; the artist's close friend,
Georgia O'Keeffe; Pilar
Miró and Teeny Matisse
Duchamp, the wives of Surrealist
artists Joan Miró and
Marcel Duchamp; Jeanne
Buñuel, wife of the
filmmaker Luis Buñuel; and Bella
Chagall, wife of
Marc Chagall.
Calder Jewelry comes to San Diego after having been on view at the Norton Museum of Art in West Palm Beach, the Philadelphia Museum of Art, The Metropolitan Museum of Art, and the Irish Museum of Modern Art in Dublin. Following its stay in San Diego, it will travel to the Grand Rapids Art Museum.
"SDMA is honored to serve as the exclusive West Coast location for two landmark exhibitions of such popular appeal and intellectual significance, first with
Richard Avedon: Portraits of Power and now Calder Jewelry," said Cartwright. "By bringing work of this caliber to San Diego, SDMA affirms the city's place as a top art destination in the U.S."
Calder Jewelry, a collaboration between the Norton Museum of Art in West Palm Beach, Florida, and the
Calder Foundation, New York, was co-curated by Mark Rosenthal and Alexander S.C. Rower, director of the Calder Foundation. Calder Jewelry is curated locally by Julia Marciari-Alexander, SDMA's deputy director for curatorial affairs. Rarely seen works from private collections and SDMA's own holdings will be the subject of the complementary
exhibition Picasso, Miró, Calder.
Calder Jewelry is part of SDMA's A Year of Modern Art, made possible by a generous gift from Mr. Paul F. Mosher. The local presentation of this exhibition is made possible by the generous support of the City of San Diego Commission for Arts and Culture, the County of San Diego Community Enhancement Program and the members of the San Diego Museum of Art.
Calder Jewelry is accompanied by an impressive companion book of the same title, published by the Calder Foundation.