Keith Haring</a> ranks among the most iconic, influential and popular artists in the world. Twenty years after his death, this is a rare and in-depth look at the prolific early years that established <a target="_blank" href=https://www.mutualart.com/Exhibition/Keith-Haring--1978-1982-/"/Artist/Keith-Haring/69A9AED2DBC3F57C">Haring’s language as an artist, his politics and social conscience, and his open homosexuality. This historic exhibition of rarely exhibited early work chronicles Haring's arrival in New York City (from his native Pennsylvania) and his immersion in New York’s dynamic downtown culture. It explores the vibrant and experimental years when Haring first enrolled in the School of Visual Arts, started a diligent and vigorous studio practice, began making public and political art on the city streets and subway stations, and enjoyed a frenetic social life. Joining an art community outside the institutionalized art system, Haring quickly befriended fellow artists Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative musicians, performance artists and graffiti writers of the period. <br><br> The exhibition delves into aspects of the artist’s life and production that have received insufficient attention to date: Haring as a thinker and facilitator, and his work as highly experimental and performative. It includes drawings and sketchbooks, videos, flyers, posters, photographs and subway drawings, as well as word collages, texts, and diaries. The exhibition offers an impression of Haring’s manifold maturation process, traces the development of his visual vocabulary and influences, and shows the artist as a philosopher and untiring initiator of artistic and political activities.&nbsp;<br>" />

Keith Haring: 1978-1982

Feb 26, 2011 - Sep 05, 2011
Keith Haring ranks among the most iconic, influential and popular artists in the world. Twenty years after his death, this is a rare and in-depth look at the prolific early years that established Haring’s language as an artist, his politics and social conscience, and his open homosexuality. This historic exhibition of rarely exhibited early work chronicles Haring's arrival in New York City (from his native Pennsylvania) and his immersion in New York’s dynamic downtown culture. It explores the vibrant and experimental years when Haring first enrolled in the School of Visual Arts, started a diligent and vigorous studio practice, began making public and political art on the city streets and subway stations, and enjoyed a frenetic social life. Joining an art community outside the institutionalized art system, Haring quickly befriended fellow artists Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative musicians, performance artists and graffiti writers of the period.

The exhibition delves into aspects of the artist’s life and production that have received insufficient attention to date: Haring as a thinker and facilitator, and his work as highly experimental and performative. It includes drawings and sketchbooks, videos, flyers, posters, photographs and subway drawings, as well as word collages, texts, and diaries. The exhibition offers an impression of Haring’s manifold maturation process, traces the development of his visual vocabulary and influences, and shows the artist as a philosopher and untiring initiator of artistic and political activities. 

Keith Haring ranks among the most iconic, influential and popular artists in the world. Twenty years after his death, this is a rare and in-depth look at the prolific early years that established Haring’s language as an artist, his politics and social conscience, and his open homosexuality. This historic exhibition of rarely exhibited early work chronicles Haring's arrival in New York City (from his native Pennsylvania) and his immersion in New York’s dynamic downtown culture. It explores the vibrant and experimental years when Haring first enrolled in the School of Visual Arts, started a diligent and vigorous studio practice, began making public and political art on the city streets and subway stations, and enjoyed a frenetic social life. Joining an art community outside the institutionalized art system, Haring quickly befriended fellow artists Jean-Michel Basquiat and Kenny Scharf, as well as many of the most innovative musicians, performance artists and graffiti writers of the period.

The exhibition delves into aspects of the artist’s life and production that have received insufficient attention to date: Haring as a thinker and facilitator, and his work as highly experimental and performative. It includes drawings and sketchbooks, videos, flyers, posters, photographs and subway drawings, as well as word collages, texts, and diaries. The exhibition offers an impression of Haring’s manifold maturation process, traces the development of his visual vocabulary and influences, and shows the artist as a philosopher and untiring initiator of artistic and political activities. 

Artists on show

Contact details

Sunday
11:00 AM - 6:00 PM
Monday
10:00 AM - 9:00 PM
Wednesday - Friday
10:00 AM - 6:00 PM
Saturday
11:00 AM - 6:00 PM
44 East Sixth Street Cincinnati, OH, USA 45202

What's on nearby

Taft Museum of Art</a> and the Cincinnati Art Museum. J. M. W. Turner: Watercolor Horizons is the first exhibition in nearly forty years to bring together the two museums’ luminous <a target="_blank" href=https://www.mutualart.com/Exhibition/Keith-Haring--1978-1982-/"/Artist/Joseph-Mallord-William-Turner/2A123FB50C356620">works by Turner</a> in this medium. Considered one of Britain’s greatest landscape painters, Turner (English, 1775–1851) was a master of the art of watercolor. A prolific artist and intrepid traveler, he was especially drawn to mountains, alpine lakes, glaciers, river valleys, and the sea, as well as the human presence within these dramatic settings.</p><p>Watercolor Horizons features views of Switzerland, Germany, France, England, Scotland, and Italy. The exhibition explores Turner’s skill with a brush on paper through these remarkable landscapes, examples of his innovative techniques, and painting tools from the era on loan from local collections. Because these delicate watercolors are usually kept in storage to protect them from the damaging effects of light, this is a rare opportunity to see these treasures up close and in person.&nbsp;</p><p><br></p>" />
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