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The Broad</a> will present a free collection exhibition, offsite public reforestation project, and series of programs connected with the legacy of <a target="_blank" href=https://www.mutualart.com/Exhibition/--MURAKAMI-/"/Artist/Joseph-Beuys/92C837E0553FB927">Joseph Beuys</a>’s art and environmental advocacy. The exhibition Joseph Beuys: In Defense of Nature is organized by The Broad’s curator Sarah Loyer with Beuys scholar Andrea Gyorody, director of the Frederick R. Weisman Museum of Art at Pepperdine University. It will coincide with a major reforestation initiative, Social Forest: Oaks of Tovaangar, as part of Getty’s landmark arts event PST ART: Art & Science Collide. These dual projects present Beuys’s work and practice as more urgent than ever before, as the planet’s climate continues to warm. </p><p>The exhibition will present over 400 artworks that illuminate Beuys’s practice as a model for direct environmental action, drawing from the Broad’s extensive holdings of the artist’s work. The corresponding Social Forest initiative will echo the appeals for change seen within the exhibition, with an emphasis on the unique social and environmental context of current day Los Angeles. Undertaken in partnership with North East Trees and Tongva (Gabrielino) archaeologist Desireé Reneé Martinez and artist Lazaro Arvizu Jr., the project encompasses the planting of 100 native trees, primarily coast live oaks, in Elysian Park in Los Angeles and additional plantings at Kuruvungna Village Springs in West L.A. </p><p><br></p>" />
Nov 16,2024
- Mar 23,2025
Wael Shawky</a>’s (b. 1971 Alexandria, Egypt) widely celebrated film installation Drama 1882. Debuted at the Egyptian Pavilion of the 2024 Venice Biennale, this riveting, moving image work takes the form of an eight-part opera, performed for the camera and filmed in a historic theater in Alexandria. Drama 1882 takes the populist Urabi revolution in Egypt against British imperialism (1879-1882) as its foundation, specifically a cafe brawl between a local donkey owner and a Maltese man that unleashed events that precipitated over seventy years of British colonial rule in Egypt. Seamlessly integrating fact, speculation, and fiction, Shawky proposes alternatives to established records. Sung entirely in classical Arabic by professional performers with sensational costumes and against the backdrop of colorful, expressionist sets, Drama 1882 is a spectacular restaging of historical events and further explores Shawky’s interest in historical counter-narratives, ultimately emphasizing the futility of war while probing the implications of drama itself. According to Shawky, the work “conjures a sense of entertainment, of catastrophe, and our inherent doubt in history.”</p><p><br></p>" />
Feb 20,2025
- Mar 16,2025
stephanie mei huang</a> is a Shanghai/Los Angeles-based interdisciplinary artist. A core examination of their work is bearing witness to the aftereffects of globalization through inhabiting new embodied and synthetic configurations––parafictional avatars: extended myths both woven together and ruptured by autobiography. They completed their MFA in Art at the California Institute of the Arts (2020) and were a participant at the Whitney Museum’s Independent Study Program (2022).<p><br></p>" />
Jan 23,2025
- Mar 01,2025