Keith Haring</a> left his mark on nearly anything he could find—even the bodies of other artists—all painted with detail and finesse. Highlights of the installation include photos and videos of <a target="_blank" href=https://www.mutualart.com/Exhibition/Keith-Haring-All-Over/"/Artist/Keith-Haring/69A9AED2DBC3F57C">Haring’s collaborations with Bill T. Jones, Grace Jones, and Madonna that feature painted clothing or backdrops, including a jacket worn by Madonna when she performed at Haring’s first “Party of Life” birthday celebration in 1984.<br> </p><p>All objects on view in the rotating display are on loan from the Keith Haring Foundation Archive. The Keith Haring Foundation donated the ceiling of the original Pop Shop to the New-York Historical Society, where the work, with its bold and lively design, now hovers above the admissions area.<br></p>" />

Keith Haring All-Over

Aug 09, 2013 - Nov 13, 2013

Known for his chalk drawings on subway station walls and public murals, Keith Haring left his mark on nearly anything he could find—even the bodies of other artists—all painted with detail and finesse. Highlights of the installation include photos and videos of Haring’s collaborations with Bill T. Jones, Grace Jones, and Madonna that feature painted clothing or backdrops, including a jacket worn by Madonna when she performed at Haring’s first “Party of Life” birthday celebration in 1984.

All objects on view in the rotating display are on loan from the Keith Haring Foundation Archive. The Keith Haring Foundation donated the ceiling of the original Pop Shop to the New-York Historical Society, where the work, with its bold and lively design, now hovers above the admissions area.


Known for his chalk drawings on subway station walls and public murals, Keith Haring left his mark on nearly anything he could find—even the bodies of other artists—all painted with detail and finesse. Highlights of the installation include photos and videos of Haring’s collaborations with Bill T. Jones, Grace Jones, and Madonna that feature painted clothing or backdrops, including a jacket worn by Madonna when she performed at Haring’s first “Party of Life” birthday celebration in 1984.

All objects on view in the rotating display are on loan from the Keith Haring Foundation Archive. The Keith Haring Foundation donated the ceiling of the original Pop Shop to the New-York Historical Society, where the work, with its bold and lively design, now hovers above the admissions area.


Artists on show

Contact details

Sunday
11:00 AM - 6:00 PM
Tuesday - Saturday
11:00 AM - 6:00 PM
170 Central Park West at 77th Street Upper West Side - New York, NY, USA 10024

What's on nearby

David Nolan</a> Gallery is delighted to announce <a target="_blank" href=https://www.mutualart.com/Exhibition/Keith-Haring-All-Over/"/Artist/Vian-Sora/5B4C3143DEF85FA3">Vian Sora</a>: Sky from Below, our second solo exhibition with the Iraqi-American artist who is one of the strong new energetic and authentic voices of our time. Sky from Below will be on view from March 7 until May 3, 2025, in advance of her solo museum show opening in June 2025 at the Santa Barbara Museum of Art and traveling to the Speed Art Museum, Louisville, and the Asia Society Texas, Houston. This traveling museum tour is a culmination of Sora’s great success of the last decade.</p><p>Sora was born in Baghdad in 1976 and currently lives in Louisville, Kentucky. The idea for the body of new work on view in Sky from Below began to percolate when the artist recently revisited the Middle East and flew over Iraq. After 18 years away, she still recognized traces of familiarity within the significantly changed landscape of her homeland. The title of the exhibition comes from memories of the artist’s childhood when she would look up at the sky, both innocently and because of the fighter planes that flew overhead. Sora poured the ensuing emotional chain reaction onto these canvases. The works approach the feeling of identity loss by creating an opposite world of lush environments and landscapes. The imagined, mythical landscapes and scenery represent an incessant dance between creating and annihilating, of adapting to new realities and multilayered existences.&nbsp;</p><p><br></p>" />
Yossi Milo</a> is pleased to announce an upcoming exhibition with <a target="_blank" href=https://www.mutualart.com/Exhibition/Keith-Haring-All-Over/"/Artist/Alina-Perez/618EC1145D09CD36">artist Alina Perez</a>, which will open in January of 2025. In advance of the artist’s first show with the gallery, Yossi Milo will present new drawings by the artist at the 2024 edition of Untitled Art Miami Beach this December. The exhibition coincides with the inclusion of Perez’s work in Flow States – LA TRIENAL 2024, El Museo del Barrio’s second triennial survey of contemporary Latinx art.</p><p>Alina Perez’s (b. 1995; Miami, Florida) premiere exhibition with the gallery continues the artist’s explorations of familial narrative and the possibilities imagination brings for healing and action. In large-scale drawings depicting scenes and motifs from her own life, the artist directly addresses the dynamics of trauma and recollection. The works included in the exhibition range from intimate to grand in scale, shifting between expressive swathes of color, layered plays of material, and exactingly rendered form.</p><p>In her monumental works on paper, Perez blends personal recollection and imagination, combining both remembered and fantastical elements that create a realm entirely her own. Perez employs the mind’s eye, using drawing as a tool to visualize scenes that are motivated by real emotional sensations. The artist understands memory as inherently malleable and open to chance, and uses her practice as a force in the constant revision of her own past. Working in fluid narrative, Perez rethinks familial history, personal trauma, and notions of identity that are rooted in both the individual and in geography.</p><p><br></p>" />
Arlene Gottfried</a> wandered throughout New York City and photographed everything and everyone that she encountered, from Harlem’s gospel singers to the nightclubs in Midtown, the drug dens on the Lower East Side, and the summer crowds on Coney Island in the summertime.</p><p>This exhibition of more than 30 works celebrates the recent acquisition of Gottfried's photographs taken during the last decades of the 20th century and brings much deserved attention to this understudied photographer’s honest, sensitive, and sometimes searing images of New York City’s population. Curated by Marilyn S. Kushner, curator of prints, photographs and architectural drawings</p><p><br></p>" />
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