Gallery Exit</a> presents <a target="_blank" href=https://www.mutualart.com/Exhibition/Stephen-Wong-Chun-Hei--The-Star-Ferry-Ta/"/Artist/Stephen-Wong-Chun-Hei/807A9481E3F459EA">Stephen WONG</a> Chun Hei’s solo exhibition ‘The Star Ferry Tale’, showcasing the artist’s latest landscape paintings, on view from 23 March to 20 April, 2024. During his many years living in Hong Kong, Wong sketches as he rambles through the local landscape, which becomes material for his creation. His works vividly depict the urban and rural sceneries that incorporate idealised imagery from his subjective imagination, at once strange and familiar, prompting the viewer to contemplate the interdependence of man and nature between the real and the surreal. Confined indoors during the pandemic, the artist embarked on a virtual journey via Google Earth, experiencing landscape with the aid of imagination. The change in sensory experience has led to a transformation of Wong’s practice, the tone and mood of his works, carried over to the post-pandemic present. The new works shown in this exhibition further explore that particular way of seeing, questioning the essence of reality through the combination of real and virtual landscapes: When reality changes unawares, the imaginary world may yet feel familiar. From a more abstract and removed perspective, the exhibition speaks to the Hong Kong landscape during the post-pandemic diasporic experience.</p><p>The exhibition opens with ‘The Star Ferry Tale’, a set of 11-panel large scale panoramic oil paintings inspired by space documentaries. With galaxies as backdrop, the perspective is extended to outer space, overviewing Hong Kong from above planet Earth. Filled with imaginative elements, the work expresses the artist’s personal response towards the grandeur and infinity of the universe. Under the scrutiny of the telescope, the universe’s past exists in parallel with our present. Likewise, the work adopts a non-linear narrative where different temporal and spatial planes crisscross each other, a Hong Kong space epic documenting the transition of eras. Contrary to Wong’s previous works where the magnified hilly landscape of Hong Kong occupies most of the space, the panorama inspects the Earth’s curved surface from space, where the upper half is of the brilliant galaxies and the lower half the planet Earth submerged in a sea of clouds, with occasional glimpses of the harbour city and the surrounding hills. Under the immense starry sky Hong Kong appears miniscule even when exaggerated and enlarged out of proportion. Local landmarks such as Victoria Harbour and Lion Rock are the sole clues for identifying our subject. Other playful details include the Star Ferry in its space odyssey, lost landmarks like the Star Ferry Pier and Jumbo Seafood Restaurant, rediscovered upon small meteorites floating above the city. The departed becomes stardust in the night sky, reminding us of the beautiful things we once had.</p><p><br></p>" />

Stephen Wong Chun Hei: The Star Ferry Tale

Mar 23, 2024 - Apr 20, 2024

Gallery Exit presents Stephen WONG Chun Hei’s solo exhibition ‘The Star Ferry Tale’, showcasing the artist’s latest landscape paintings, on view from 23 March to 20 April, 2024. During his many years living in Hong Kong, Wong sketches as he rambles through the local landscape, which becomes material for his creation. His works vividly depict the urban and rural sceneries that incorporate idealised imagery from his subjective imagination, at once strange and familiar, prompting the viewer to contemplate the interdependence of man and nature between the real and the surreal. Confined indoors during the pandemic, the artist embarked on a virtual journey via Google Earth, experiencing landscape with the aid of imagination. The change in sensory experience has led to a transformation of Wong’s practice, the tone and mood of his works, carried over to the post-pandemic present. The new works shown in this exhibition further explore that particular way of seeing, questioning the essence of reality through the combination of real and virtual landscapes: When reality changes unawares, the imaginary world may yet feel familiar. From a more abstract and removed perspective, the exhibition speaks to the Hong Kong landscape during the post-pandemic diasporic experience.

The exhibition opens with ‘The Star Ferry Tale’, a set of 11-panel large scale panoramic oil paintings inspired by space documentaries. With galaxies as backdrop, the perspective is extended to outer space, overviewing Hong Kong from above planet Earth. Filled with imaginative elements, the work expresses the artist’s personal response towards the grandeur and infinity of the universe. Under the scrutiny of the telescope, the universe’s past exists in parallel with our present. Likewise, the work adopts a non-linear narrative where different temporal and spatial planes crisscross each other, a Hong Kong space epic documenting the transition of eras. Contrary to Wong’s previous works where the magnified hilly landscape of Hong Kong occupies most of the space, the panorama inspects the Earth’s curved surface from space, where the upper half is of the brilliant galaxies and the lower half the planet Earth submerged in a sea of clouds, with occasional glimpses of the harbour city and the surrounding hills. Under the immense starry sky Hong Kong appears miniscule even when exaggerated and enlarged out of proportion. Local landmarks such as Victoria Harbour and Lion Rock are the sole clues for identifying our subject. Other playful details include the Star Ferry in its space odyssey, lost landmarks like the Star Ferry Pier and Jumbo Seafood Restaurant, rediscovered upon small meteorites floating above the city. The departed becomes stardust in the night sky, reminding us of the beautiful things we once had.



Gallery Exit presents Stephen WONG Chun Hei’s solo exhibition ‘The Star Ferry Tale’, showcasing the artist’s latest landscape paintings, on view from 23 March to 20 April, 2024. During his many years living in Hong Kong, Wong sketches as he rambles through the local landscape, which becomes material for his creation. His works vividly depict the urban and rural sceneries that incorporate idealised imagery from his subjective imagination, at once strange and familiar, prompting the viewer to contemplate the interdependence of man and nature between the real and the surreal. Confined indoors during the pandemic, the artist embarked on a virtual journey via Google Earth, experiencing landscape with the aid of imagination. The change in sensory experience has led to a transformation of Wong’s practice, the tone and mood of his works, carried over to the post-pandemic present. The new works shown in this exhibition further explore that particular way of seeing, questioning the essence of reality through the combination of real and virtual landscapes: When reality changes unawares, the imaginary world may yet feel familiar. From a more abstract and removed perspective, the exhibition speaks to the Hong Kong landscape during the post-pandemic diasporic experience.

The exhibition opens with ‘The Star Ferry Tale’, a set of 11-panel large scale panoramic oil paintings inspired by space documentaries. With galaxies as backdrop, the perspective is extended to outer space, overviewing Hong Kong from above planet Earth. Filled with imaginative elements, the work expresses the artist’s personal response towards the grandeur and infinity of the universe. Under the scrutiny of the telescope, the universe’s past exists in parallel with our present. Likewise, the work adopts a non-linear narrative where different temporal and spatial planes crisscross each other, a Hong Kong space epic documenting the transition of eras. Contrary to Wong’s previous works where the magnified hilly landscape of Hong Kong occupies most of the space, the panorama inspects the Earth’s curved surface from space, where the upper half is of the brilliant galaxies and the lower half the planet Earth submerged in a sea of clouds, with occasional glimpses of the harbour city and the surrounding hills. Under the immense starry sky Hong Kong appears miniscule even when exaggerated and enlarged out of proportion. Local landmarks such as Victoria Harbour and Lion Rock are the sole clues for identifying our subject. Other playful details include the Star Ferry in its space odyssey, lost landmarks like the Star Ferry Pier and Jumbo Seafood Restaurant, rediscovered upon small meteorites floating above the city. The departed becomes stardust in the night sky, reminding us of the beautiful things we once had.



Artists on show

Contact details

25 Hing Wo Street, Tin Wan Aberdeen, Hong Kong

What's on nearby

Empty Gallery</a> is pleased to present Respirare, Tokyo-based painter <a target="_blank" href=https://www.mutualart.com/Exhibition/Stephen-Wong-Chun-Hei--The-Star-Ferry-Ta/"/Artist/Reina-Sugihara/119B519C6B7B002A">Reina Sugihara's first solo exhibition</a> with the gallery. Sugi-hara's enigmatic canvases emerge from a gradual and ritualistic process of tracing, layering, and effacement often enacted over a period of months or years. Her paintings first coalesce around the intuitive selection of a found object, whose essential mystery and perceptual ambiguity become a site of sustained phenomenological investigation. Mediated first through the sieve of embodied consciousness and then through the hand of the artist, these objects are transmuted into luminous deposits of gesso and oil, pigment and binder-emergent and quivering contours whose contingent organicism suggests a self-sustaining reality. Striking in their anachronistic approach to a medium often fraught with its own history, Sugihara's paintings share affinities with the automatism of the Surrealists, the corporeal tendencies of post-war Japanese and European painting, and the contemplative traditions of religious art, but are, quietly, all their own.<p><br></p>" />
Xie Xiaoze</a>: The Archaeology of Knowledge, the artist’s debut exhibition with the gallery and his first solo exhibition in Hong Kong. As the opening act of Alisan Atelier in 2025, the exhibition presents a selection of thought-provoking oil paintings, ink on paper and resin and porcelain sculptures —— primarily drawing from Xie’s acclaimed Chinese Library series and Amber of History series, and from the past year. These works excavate the ancient poetics and contemporary relevance of books and knowledge.</p><p><br></p>" />
Gallery Exit</a> is pleased to present ‘Symphony of Light and Stone’, with recent paintings by LAI Nga Lun, <a target="_blank" href=https://www.mutualart.com/Exhibition/Stephen-Wong-Chun-Hei--The-Star-Ferry-Ta/"/Artist/Cho-Wing-Ki/DF05DAB48EB28438">CHO Wing Ki</a>, and <a target="_blank" href=https://www.mutualart.com/Exhibition/Stephen-Wong-Chun-Hei--The-Star-Ferry-Ta/"/Artist/Lau-Siu-Chung/B07577ED1A270BB8">LAU Siu Chung</a>. The exhibition brings together three distinct perspectives, from architectural landscapes and human activities to the interplay between nature and the city, the artists collectively compose with colors and shapes, a symphony of light and stone, that commemorate the vibrancy of urban life.</p><p>LAI Nga Lun's artistic journey began with an exploration of diverse brushstrokes found in traditional Chinese ink art. The bold and delicate brushstrokes of this medium have profoundly inspired him. Additionally, he has studied Western painting traditions, drawing influence from Impressionism, Abstract Expressionism, and even street art. These varied influences have enriched his creative expression.</p><p>LAI is particularly captivated by urban landscapes. Streets divide space into geometric compositions full of tension, while the contours and windows of tall buildings create rhythmic patterns. To LAI, the flow of traffic and road signs moves like musical notes across his canvases. Over the years, LAI has developed an intuitive artistic practice that enables him to transform his observations of the tangible world into vibrant lines and colours, allowing him to pursue a painting style that reduces everything to pure visual symbols, weaving visual poetry onto the canvas.</p><p>For CHO Wing Ki, art making is a way to connect with people and her surroundings. CHO is deeply moved by those who quietly persevere in the city's hidden corners, working hard and living with determination, and she is truly inspired by the resilience of these individuals. Near her studio is the Cheung Wing Road roundabout in the Kwai Hin area, which has become a vantage point for her to observe urban life. Time passes as vehicles circle the roundabout day and night, and she notices weary passersby taking moments to rest beneath the tree shades, which form a unique ecosystem of that urban landscape.</p><p>CHO also explores other areas of Hong Kong, such as Kwu Tung in the New Territories, where she observes villagers and those who labour and are supportive of one another. This has inspired a way for her to work by using determined and bold strokes, CHO pays tribute to those who diligently live and work in the city.</p><p>LAU Siu Chung engages in his works the greenery, light, and urban spaces that he encounters in his daily surroundings. For LAU, these seemingly ordinary scenes are both poetic and vibrant. He is particularly interested in capturing subtle moments of the quotidian: sunlight filtering through leaves, plants growing in building cracks, sceneries outside the windows, and the contrasts between rooftop greenery and the skyline.</p><p>Employing warm and gentle hues such as orange, yellow, and purple, LAU portrays the delicate co-existence of nature and urban environments. His bright and intricate layers of colour serve not just as visual representations but also as a homage to the flourishing beauty within the city.</p><p>LAU emphasises light and shadow in his artworks. Light not only reveals physical forms but also serves as a key to connecting nature and the city, what is seen and hidden. His use of colour in blocks and lines intertwines organically, creating rich layers that reflect the interdependence of urban and natural environments.</p><p><br></p>" />
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