Mamma Andersson</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Parrhesia----Works-from-the-Collection/"/Artist/Alex-Da-Corte/F27956F4BC562669">Alex da Corte</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Parrhesia----Works-from-the-Collection/"/Artist/Cecily-Brown/A0B6DB891ACFC7E2">Cecily Brown</a> and <a target="_blank" href=https://www.mutualart.com/Exhibition/Parrhesia----Works-from-the-Collection/"/Artist/Wolfgang-Tillmans/319EB496FD39B0C5">Wolfgang Tillmans</a>... The Louisiana West Wing features works from the museum collection. Focusing on 21st-century art, the exhibition explores the interplay of artistic disciplines – film, photography, sculpture, installation and painting.</p><p>*Parrhesia is ancient Greek for boldness, freedom of speech, candour. It is also the title of a sculpture group by <a target="_blank" href=https://www.mutualart.com/Exhibition/Parrhesia----Works-from-the-Collection/"/Artist/Franz-West/DAB30165A49C37D0">Franz West</a> on view in the exhibition.</p><p>The aim is for the works presented here to exist on their own terms and not be confined to an art-historical school or narrative, says Louisiana's director Poul Erik Tøjner, who has curated the presentation: "As always with art, connections naturally arise between the works. The viewer sees to thtat in open and engaging interaction with the art."</p><p><br></p>" />

Parrhesia* - Works from the Collection

Nov 28, 2024 - Mar 16, 2025

Mamma Andersson, Alex da Corte, Cecily Brown and Wolfgang Tillmans... The Louisiana West Wing features works from the museum collection. Focusing on 21st-century art, the exhibition explores the interplay of artistic disciplines – film, photography, sculpture, installation and painting.

*Parrhesia is ancient Greek for boldness, freedom of speech, candour. It is also the title of a sculpture group by Franz West on view in the exhibition.

The aim is for the works presented here to exist on their own terms and not be confined to an art-historical school or narrative, says Louisiana's director Poul Erik Tøjner, who has curated the presentation: "As always with art, connections naturally arise between the works. The viewer sees to thtat in open and engaging interaction with the art."



Mamma Andersson, Alex da Corte, Cecily Brown and Wolfgang Tillmans... The Louisiana West Wing features works from the museum collection. Focusing on 21st-century art, the exhibition explores the interplay of artistic disciplines – film, photography, sculpture, installation and painting.

*Parrhesia is ancient Greek for boldness, freedom of speech, candour. It is also the title of a sculpture group by Franz West on view in the exhibition.

The aim is for the works presented here to exist on their own terms and not be confined to an art-historical school or narrative, says Louisiana's director Poul Erik Tøjner, who has curated the presentation: "As always with art, connections naturally arise between the works. The viewer sees to thtat in open and engaging interaction with the art."



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What's on nearby

Jawlensky (1864-1941) was a late bloomer whose serial works left a lasting mark on art history. With over 60 works on loan from leading European museums and private collections, a new exhibition at <a target="_blank" href=https://www.mutualart.com/Exhibition/Parrhesia----Works-from-the-Collection/"/Organization/Louisiana-Museum-of-Modern-Art/0DACA7363E924DD2">Louisiana Museum of Modern Art</a> takes a close look at the last 20 years of the artist’s working life. This period, Jawlensky devoted almost exclusively to painting the same subject over and over again: a face.</p><p>The face was an ideal subject for Jawlensky to express his spiritual thoughts. Over time it became almost completely abstract, culminating is his last series, his Meditations, when his hands were crippled by arthritis. These late works remain a singular and original contribution to art history.</p><p>The exhibition first looks at Jawlensky’s links to the Munich art scene in the early 20th century leading up to World War I. Jawlensky was in a relationship with the painter Marianne Werefkin and was a close friend of Wassily Kandinsky and Gabriele Münter. In the vibrant, highly stimulating milieu of Southern Germany, Werefkin and Jawlensky were at the heart of salon conversations and experiments in developing a new artistic expression.</p><p><br></p>" />
German artist Hans-Peter Feldmann</a> tells the story of a whole century, reflected in the faces of different individuals. As a representation of human aging, it also becomes a mirror for the viewer.</p><p>The series is one of the artist’s most important works, encapsulating the essence of his art. With warmth and humour, Feldmann’s art challenges the world around us, encouraging us to discover the poetry in the everyday.</p><p>Besides ‘100 Years’ Hans-Peter Feldmann is represented in the Louisiana Collection by a considerable number of his early artist books, the so-called ’Bilderhefte’ and by a selection of paintings, where he adds simple and subtle modifications to older paintings.</p><p>'100 Years' is a series of 101 black-white photographs portraying members of the artist’s family and social circle, ranging in age from 0 to 100 – from eight-week-old Felina to centenarian Maria Victoria. The portraits are displayed in chronological order alongside a bouquet of freshly cut flowers. Below each photo, the subject’s first name and age are noted. The work is created between 1998 and 2000.</p><p><br></p>" />
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