Takemoto’s videos</a> Looking for Jiro (2011) and On the Line (2018) uniquely center queer experiences of intimacy in prewar and WWII contexts. The Gentleman’s Gaman series (2009–23) and an installation of handcrafted kokeshi dolls (2023) offer sculptural, expanded modes of engagement with challenging and overlooked narratives in Asian American history, as reimagined by Takemoto.</p><p><br></p>" itemprop="description" />
Frank Stella</a>’s Early Prints from the Marmor Collection presents selections from the American abstract artist Frank Stella's early collaborations with master printmaker Kenneth Tyler at the seminal Los Angeles printing studio Gemini Graphic Editions Ltd. (c.1967–1971). They mark the first steps of the decades-long collaboration behind Stella's important experimental printmaking career.<p><br></p>" itemprop="description" />
Iris & B. Gerald Cantor Center for Visual Arts at Stanford University
The Cantor Arts Center boasts a proud and venerable history, as it was conceived of in tandem with the founding of Stanford University itself. The Stanford family, including Leland Jr., traveled the world collecting objects of art and cultural interest. The museum was originally created to make this collection available to students and the public. It has withstood natural disasters and periodic neglect, only to be resurrected, renewed, and expanded, with its collections stronger than ever, thanks to the passionate dedication of Stanford faculty and staff, and art lovers in the surrounding community.
Current exhibitions
Frank Stella</a>’s Early Prints from the Marmor Collection presents selections from the American abstract artist Frank Stella's early collaborations with master printmaker Kenneth Tyler at the seminal Los Angeles printing studio Gemini Graphic Editions Ltd. (c.1967–1971). They mark the first steps of the decades-long collaboration behind Stella's important experimental printmaking career.<p><br></p>" />
Takemoto’s videos</a> Looking for Jiro (2011) and On the Line (2018) uniquely center queer experiences of intimacy in prewar and WWII contexts. The Gentleman’s Gaman series (2009–23) and an installation of handcrafted kokeshi dolls (2023) offer sculptural, expanded modes of engagement with challenging and overlooked narratives in Asian American history, as reimagined by Takemoto.</p><p><br></p>" />
The Cantor Arts Center at Stanford University is pleased to present Livien Yin: Thirsty, the first solo museum exhibition of Brooklyn-based Chinese-American artist and Stanford MFA ’19 alum Livien Yin.