Kusama's work</a> are truly original contributions to post-war, and neo avant-garde art. Since her time in the center of New York's avant-garde, her art has circled around the same basic themes: fantasies of infinity, dizzying psychological space one can disappear in, and the desire to be extinguished by the world. In Kusama's art, infinity is both a cosmic space, a spiritual idea and a bottomless psychological depth.</p><p>The attraction to this great nothing is characterized by both lust and anxiety. The Hymn of Life installation was designed specifically for the exhibition tour with Yayoi Kusama, and was shown for the first time at Høvikodden at the art center's big Kusama exhibition in 2016.</p><p><br></p>" />

Yayoi Kusama: Hymn of Life

Aug 23, 2018 - Apr 30, 2019

Hymn of Life by Yayoi Kusama is permanently installed at Henie Onstad Kunstsenter and will be accessible to visitors to the centre for an indefinite period.

The purchase of the work has been made possible through a grand gift from Sparebankstiftelsen DNB. Yayoi Kusama (born 1929) is well known for her universe of fresh colors and sprawling patterns that cover the surface of paintings, sculptures and entire rooms. In the middle of this boundless visual world, you find the artist herself. She is a unique and groundbreaking artist whose work for over 60 years has played a central role in the development of contemporary art.

In art history Kusama's work are truly original contributions to post-war, and neo avant-garde art. Since her time in the center of New York's avant-garde, her art has circled around the same basic themes: fantasies of infinity, dizzying psychological space one can disappear in, and the desire to be extinguished by the world. In Kusama's art, infinity is both a cosmic space, a spiritual idea and a bottomless psychological depth.

The attraction to this great nothing is characterized by both lust and anxiety. The Hymn of Life installation was designed specifically for the exhibition tour with Yayoi Kusama, and was shown for the first time at Høvikodden at the art center's big Kusama exhibition in 2016.



Hymn of Life by Yayoi Kusama is permanently installed at Henie Onstad Kunstsenter and will be accessible to visitors to the centre for an indefinite period.

The purchase of the work has been made possible through a grand gift from Sparebankstiftelsen DNB. Yayoi Kusama (born 1929) is well known for her universe of fresh colors and sprawling patterns that cover the surface of paintings, sculptures and entire rooms. In the middle of this boundless visual world, you find the artist herself. She is a unique and groundbreaking artist whose work for over 60 years has played a central role in the development of contemporary art.

In art history Kusama's work are truly original contributions to post-war, and neo avant-garde art. Since her time in the center of New York's avant-garde, her art has circled around the same basic themes: fantasies of infinity, dizzying psychological space one can disappear in, and the desire to be extinguished by the world. In Kusama's art, infinity is both a cosmic space, a spiritual idea and a bottomless psychological depth.

The attraction to this great nothing is characterized by both lust and anxiety. The Hymn of Life installation was designed specifically for the exhibition tour with Yayoi Kusama, and was shown for the first time at Høvikodden at the art center's big Kusama exhibition in 2016.



Artists on show

Contact details

Sonja Henies vei 31 Høvikodden, Norway NO-1311

What's on nearby

Jean Arp</a> and Sophie <a target="_blank" href=https://www.mutualart.com/Exhibition/Yayoi-Kusama--Hymn-of-Life/"/Artist/Sophie-Taeuber-Arp/0686FCB42B2104FC">Taeuber-Arp hold a special place among 20th-century artist couples. They both believed in art without hierarchies—art should not be confined to a few categories like painting and sculpture but should enhance all aspects of life. Arp and Taeuber-Arp explored a wide range of materials and techniques, including design, poetry, painting, jewellery, sculpture, textiles, drawing, and more.</p><p>Their first meeting in 1915 marked the beginning of a lifelong creative partnership as friends, lovers, and collaborators. This deep connection is reflected in their art. Some of Arp’s early geometric embroideries and collages can be mistaken for Taeuber-Arp’s. She introduced him to the potential of wood as a material, while he introduced her to the possibilities of painting. From the mid-1920s, they worked together on interior design projects in Strasbourg, France. By the late 1930s, they began creating duo-works—wooden sculptures, collages, and drawings where their individual styles merged into a single artistic expression.</p><p><br></p>" />
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exhibition of Baselitz’s work</a> ever mounted in Norway.  &nbsp;</p><p>&nbsp;Baselitz’s subjects include the human figure in many different forms, haunting landscapes from his childhood, fragments of national symbolism, and in more recent years, his own ageing process. In 1969 he began painting subjects upside down as a way of emphasising the abstract, purely painterly qualities in his figurative images.</p><p>A central theme of this exhibition is Baselitz’s lifelong fascination with the art of Edvard Munch. In a number of images, Baselitz makes various references to Munch’s work, and credits him as a key influence in the development of modern German art. Despite the heaviness of his subject matter, Baselitz approaches Munch and other works from art history with a playful spirit.</p><p><br></p>" />
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